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espanolEl presente articulo aclarara las multiples referencias del autor al simbolismo, al modernismo y al vanguardismo e igualmente ubicara a Rosales y Rosales ante el trasfondo de aquellos discursos antropologicos y esteticos que a partir de 1900 empezaron a resaltar el ritmo como factor decisivo para poder definir la raza. Tambien mediante el analisis de los poemas contenidos en Euterpologio politonal destaca la combinacion de lo ritmico con lo racial-indigena, hecho notable, dado que el autor reelaboro el poemario despues de que los indigenas salvadorenos fueron aniquilados casi por completo como consecuencia de La Matanza de 1932. Asi, el aparente esteticismo apolitico de Rosales y Rosales asume aspectos inesperados de compromiso social que requieren una revalorizacion de su escritura. EnglishThis article will discuss the multiple references of Vicente Rosales y Rosales, to the poetics of French symbolism, American modernisms and the international avant-garde in order to locate his position within the ethnographic and aesthetic discourses on the relation of rhythm and race that appeared since the end of the 19th century. This seems to be especially important, though rhythmic and racial elements are both present in Rosales y Rosales' poems analyzed here. Considering the fact that Salvadorean natives were almost completely killed during the so-called La Matanza in 1932 and that Rosales y Rosales started to rewrite his Euterpologio politonal after this incident, the apparently apolitical frame of Rosales y Rosales' aestheticism unexpectedly turns to social compromise -a fact that requires a revalorization of his writing.

perífrasis

ESTETICISMO Y COMPROMISO SOCIAL EN <i>EUTERPOLOGIO POLITONAL</i> DE VICENTE ROSALES Y ROSALES. REACTUALIZACIÓN Y SUPERACIÓN DEL MODERNISMO EN EL SALVADOR

ESTETICISMO Y COMPROMISO SOCIAL EN EUTERPOLOGIO POLITONAL DE VICENTE ROSALES Y ROSALES. REACTUALIZACIÓN Y SUPERACIÓN DEL MODERNISMO EN EL SALVADOR