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This applied experimental research study is a continuation of a previously published RGB (red, green and blue) to CMYK (cyan, magenta, yellow and black) color managed workflow study (Dharavath, 2010). A continuous-tone color image is composed of a full spectrum of shades and color, from near white to dense black. In a traditional printing (offset, digital offset, gravure or flexography) workflow, the method by which continuous-tone photographic images are transformed to a printable image is called halftoning. In this method, varying percentages of the printed sheet are covered with halftone dots to represent the varying tones in the image. The ink (paste or liquid ink) printed by each dot, of course, has the same density. At normal viewing distance, the dots of a printed image create an optical illusion of a continuous tone image. A digital halftone is a pixel map, with bit depth, that gives the impression of an image containing a range of gray shades or continuous tones. An 8-bit grayscale image contains 256 different levels of gray from white to black. In contrast, a simple digital image could be a binary picture, [h(x, y)], with each point being either completely black or completely white (Pnueli & Bruckstein, 1996).

Colorimetric analysis of scanned continuous-tone color images in a Color Managed Digital Photo Printing Workflow (CMDPPW)