English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper presents the dramaturgy of Sarip of Tambak Oso (STO), performed by Ludruk Karya Budaya Mojokerto (LKBM). LKBM as a Ludruk art group in East Java has survived for about 47 years. The STO story has outlived the LKBM group. Ludruk has become a typical entertainment in East Java, and STO’s story is one of the legends which continues to live in the people of East Java, especially Sidoarjo. STO’s story is very close to the community and the conflict in the play is a common issue in the community. This story reminds us of the importance of good communication between the government and the community. This play tells about the struggle for Sarip’ rights who does not want to pay taxes because of his poverty. This led to the resistance to the Dutch government and its accomplices. The Dutch finally found Sarip’s weakness. Sarip’s mother would awake Sarip from death when she yelled out Sarip’s name. This story is considered a true story by some people in the East Java region, especially in the Oso Pond area, Sidoarjo. As the development progressed, this story later became a lesson for the local community to wisely respond to all policies made by the government. The government and the people should share the right communication to create harmony. The dramaturgy study of LKBM in STO play was important because the documentation was still relatively rare, and also the STO story is still contextual to date. The dramaturgy study of LKBM in the STO play is expected to be able to become a learning, whether Ludruk as a folk art group or a story that can become known for the community. Keywords: Sarip Tambak Oso; Ludruk Karya Budaya

Dramaturgy of Ludruk Karya Budaya on the Story of Sarip Tambak Oso