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The end of the 1980s was marked by a general interest in Japan because of the country’s ongoing economic boom. Shortly after, in 1990, Japan was guest of honour at the Frankfurt Book Fair and, in 1994, Ōe Kenzaburō was awarded the Nobel Prize in Literature. All of this led to the establishment of a good number of Japanese literature series being published in German-speaking countries and a considerable increase in the translation of Japanese literature. Furthermore, the dispute over a novel by Murakami Haruki on the TV show Das Literarische Quartett (The Literary Quartet) in the year 2000 had a remarkable influence on these developments. This dispute triggered the tremendous popularity of the author in German-speaking countries and simultaneously led to a change of attitude towards the translation of Japanese works in publishing houses. Against this backdrop, this paper investigates the image of Japanese literature portrayed in review articles of German language newspapers at the beginning of the 21st century. The main themes of these review articles will be presented in 12 categories that constitute the image of Japanese literature in the German book market. These categories will be presented and described in detail before conclusions about the tendencies of reviewing Japanese literature and about what influence these tendencies have on the image of Japanese literature are drawn.

Corroded by Globalisation: The Image of Japanese Literature in German Review Articles