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The release of Ilya Khrzhanovsky’s megalomaniacal cinematic project  DAU  coincided with the global Covid-19 pandemic. With festivals postponed and public screenings no longer possible, Khrzhanovsky moved his project online, integrating the unprecedented experience of the global lockdown and quarantine into the cinematic universe of  DAU . Using the concept of heterotopia devised by French philosopher Michel Foucault, this paper examines the ways in which self-isolation altered the conditions of spatio-temporal engagement with  DAU . Ultimately, the paper presents an original theoretical model of heterotopic cinema to demonstrate that confinement is precisely what allows Khrzhanovskiy’s artistic method to fully function.

From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic