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Native film production was almost non-existent in Ireland for most of the 20th century; however, the period between 1916 and 1921 seemed the beginning of a completely different story. The article first studies the birth and brief development, during the Easter Rebellion and the Irish War of Independence, of a small number of native film companies which, with more enthusiasm than either means or skill, managed to make comedies and nationalistic melodramas and documentaries, and release them with some success in Ireland and abroad. Next, the text contrasts these promising beginnings with the moral, political and economic harassment of film by Catholic nationalists in postindependence Ireland, who made it impossible for native filmmaking to resume after the Civil War and, besides, imposed high duties and stringent censorship regulations on foreign films distributed in the Irish Free State.

Nacionalismo y producción de cine silente en Irlanda: de la complicidad al conflicto