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espanolEste articulo repasa la influencia del tebeo en las peliculas del director vasco, Alex de la Iglesia, cuyas primeras obras artisticas se deben a su condicion de joven autor de historietas. El cine de este cineasta e s t a marcado p o r claras reminiscencias provenientes de las vinetas: los superheroes pateticos de Accion mutante se mueven por un contexto futurista muy del comic de c i enc ia f i c c ion; e l humor estereotipado y los personajes grotescos del tebeo de la editorial Bruguera inundan todas sus comedias; o tambien son destacables los diversos homenajes narrativos o esteticos a la escuela franco-belga de Herge y Goscinny. Esta fuerte influencia recorre toda su filmografia desde la mencionada opera prima Accion mutant e , hasta Crimen Ferpecto, pasando por titulos como El dia de la bestia, Perdita Durango, Muertos de risa o La comunidad, hasta convertirse en un autor abanderado del fenomeno freak que marca tendencia en el cine espanol. EnglishThis article discusses the influence of comics on film Alex de la Iglesia, whose firsts artistic works are due to their status as young author of bullets. This filmmaker is marked by clear reminiscences from comic: the pathetic superheros of Accion mutante live in a context very futuristic comic book; the humor and the grotesque characters stereotypical from publisher Bruguera are present in all his comedies; or even he pays tribute to French-Belgian school of Herge and Goscinny both aesthetically and narratively. This strong influence runs throughout his films since his debut Accion mutante until Crimen Ferpecto, or through titles such as El dia de la bestia, Perdita Durango, Muertos de risa or La comunidad to become an author "freak" that marks trend in the Spanish cinema.

La intertextualidad en el cine de Álex de la Iglesia: el caso del cómic