English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The external gallery in the Peinador de la Reina (Queen’s Dressing Room[1]) of the Alhambra, It was built at the top of the Tower Abu-l-Hayyay. It presents a fresco mural decoration of Italian Renaissance style, with a total of four Shrines between grotto motifs composition: two on the West wall and two on the East wall. Painted by Julio de Aquiles and Alexander Mayner, in these Shrines are represented the figures identified as Minerva, Jupiter, Abundance and Sacred Flame. The passing of time and other factors, explain the state of disrepair in which part of the frescoes in this room are. Thus, the present article discusses the study carried out around the Shrines, and the process of reconstruction through drawing with a view to reaching a visual hypothesis that can help us to understand what these figures may have looked like in their original state.

eviterna

Estudio del patrimonio a través del dibujo: hipótesis visual sobre las imágenes de los templetes de la galería exterior en el Peinador de la Reina de la Alhambra