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espanolEn este trabajo se estudia como se ha representado la accion de orinar y el uso de la propia orina como elemento de expresion artistica en las distintas disciplinas a lo largo de la historia del arte. Este recorrido se estructura por indices tematicos, desde las imagenes mas simples hasta las semioticamente mas complejas, comenzando por la representacion de ninos que orinan, utilizados en todas las epocas como imagen de lo anecdotico y motivo decorativo para fuentes y jardines. Se continua por otras imagenes que, aun siendo protagonizadas tambien por ninos, poseen niveles de lectura culturalmente mas elevados. Se divide este estudio en dos grandes epocas antagonicas: el mito de la Edad de Oro -estado natural y privilegiado para el ser humano- y el posterior mito de la caida en el que la sexualidad connota el acto de orinar ofreciendonos nuevas lecturas desde el erotismo, la pornografia y su uso politico-propagandistico. El arte contemporaneo merece especial atencion por la incorporacion del uso del cuerpo y de sus fluidos como exponentes de los miedos y obsesiones humanas, caracterizandose la aparicion de la orina, por su radicalidad y adscripcion de genero. Concluye este ensayo con el analisis de imagenes en las que la orina no esta presente sino sugerida. EnglishWe studied how the urinating action and the use of the own urine have been used as an element of artistic expression in different art throughout history disciplines. This tour was organized by subject indexes, from the simplest to the most complex images semiotically, starting with the representation of children who wet, used in all periods as the image of the anecdotal and decorative motif for fountains and gardens. It was followed by other images, though also featuring children, have higher levels of culturally reading. This study was divided into two antagonistic times: the myth of the Golden Age, and privileged natural state for human beings, and the subsequent myth of the fall in which connotes sexuality urination offering new readings from eroticism, pornography and political-propagandistic uses. Contemporary art deserved special attention by incorporating the use of the body and its fluids as examples of human fears and obsessions, characterized the appearance of urine by its radicalism and gender affiliation. This essay concluded with the analysis of images in which the urine is not present but suggested.

La orina: su iconografía y uso en la Historia del Arte