English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The «Infant Jesus as Divine Love» is a noteworthy example of the exuberance reached by dressed sculptures of the Holy Child in Portugal [1]. The provenance of this 18th century sculpture is unknown1. It may have belonged to a religious institution, before being integrated in the Public Library collection. Finally, in 1915, it was incorporated in Évora’s National Museum. It is a lead sculpture, painted with very realistic flesh tones, in consonance with an elegant shape proper of a classical and erudite workmanship. In this unusual representation the Infant is holding a silver bow, arrows and a quiver, personifying Divine Love. In the left hand he holds a flower bouquet made of silk and paper.

The Infant Jesus as Divine Love: a Dressed Sculpture from Évora’s Museum.