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RESUMEN: La anonima Fabula de Dafne, representada entre 1585 y 1593 en el Monasterio de las Descalzas Reales, supone el primer acercamiento teatral en Espana al mito de Apolo y Dafne. Este trabajo comenta aspectos relevantes de una pieza representada en un entorno conventual, que pone las bases de un teatro hibrido entre lo mitologico y lo pastoril, continuado por el mismo Lope de Vega pocos anos mas tarde. Se aborda el tratamiento del mito, la signicacion politica de la pieza y ciertos aspectos relacionados con la puesta en escena de esta original comedia. ABSTRACT: The anonymous Fabula de Dafne, staged between 1585 and 1593 at the Monasterio de las Descalzas Reales, is the  rst theatrical approach in Spain to the myth of Apollo and Daphne. This paper comments on relevant aspects of a piece staged at a convent that sets the basis for a hybrid drama, between the mythological and the pastoral, continued by Lope de Vega himself a few years later. The treatment of the myth, the political meaning of the piece, and some aspects related to the staging of this original comedy are also analyzed.

Del mito a la escena. Una Fábula de Dafne de ﬁnales del siglo XVI en las descalzas reales