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Among the striking features of Brazil’s current crisis, as progressive sectors contend with the relentlessly retrograde political and social agenda of Michel Temer’s post-2016 government, are the echoes it has struck with earlier moments in the country’s contemporary history of struggles to build and defend democracy. For many in today’s pro-democracy movement, the slogans “Não ao golpe!” and “Diretas Já!” have explicitly connected the impeachment of President Dilma Rousseff and the call for general elections to the military coup of 1964 which overthrew president João Goulart, and to the 1984 demonstrations campaigning for an end to two decades of dictatorship, respectively (Rocha, 2016). Also noteworthy is the fact that those historical resonances have often beenmediatedmusically, as artists at events defending the diverse social causes under assault from Temer’s reform agenda have mobilized their audiences by drawing on the power of the sung word.

Bringing Brazil's resistance songs to London: words and music in translation