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Faced with the important changes that happened in Argentina at the beginning of the 20th century, debates about the concept of nationality, proposing ideas to generate a historical consciousness able to achieve national integration. Rojas postulates a doctrine of argentinity based on the teaching of history and its own aesthetic development, giving a place of primacy to art. In this work we investigate the transtextuality relationships present in the Silabario de la decoración americana where the author bases the renaissance of the national soul in artistic creation, result of the fusion between indigenous decorative motifs and european techniques and tools on american soil/ground/land, giving origin to an eurindic art.

Las huellas discursivas en el Silabario, de Ricardo Rojas