English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

espanolEn el articulo el autor reconstruye la trayectoria biografica de Juan Pedro Vignale y da cuenta de su participacion en dos experiencias editoriales: la revista Poesia (1933) y la revista Gaceta de Buenos Aires (1934). Esta ultima representa una transicion y un engarce para un grupo de escritores que marchan de la experiencia de la vanguardia literaria de los anos veinte a una actuacion politico-intelectual significativa en los anos cuarenta. Entre los autores de diferentes sensibilidades y trayectorias posteriores que participan en ellas, se destacan Armando Cascella, Ernesto Palacio, Raul Scalabrini Ortiz, Julio Irazusta y Saul Taborda. EnglishIn the article the author reconstructs Juan Pedro Vignale's trayectory and describes his participation in two publishing experiences: the magazine Poesia (1933) and the magazine Gaceta de Buenos Aires (1934). The latter represents a transition and a connection between a group of writers who vary from the 20's literary avant-garde experience to the significant political-intellectual action taken during the 1940's. Among the authors with different sensibilities and posterior paths, figures such as Armando Cascella, Ernesto Palacio, Raul Scalabrini Ortiz, Julio Irazusta and Saul Taborda stand out.

De Martín Fierro a Nuevo Orden. Pedro Juan Vignale y las revistas Poesía y Gaceta de Buenos Aires