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espanolEl trabajo inquiere en los debates culturales desarrollados en los primeros anos de la Revolucion Cubana a traves de un analisis critico de las reflexiones publicadas por intelectuales integrados al proceso entre 1959 y 1964, y establece puntos de contacto entre aquellas suscitadas previamente a la declaracion del caracter socialista de la Revolucion y las posteriores. Tales polemicas permiten acceder a una de las peculiaridades del proceso en sus comienzos: la amplitud en la convocatoria a los intelectuales a sumarse a la gestion cultural de la isla, lo que vuelve coherente la heterogeneidad de posturas sobre el quehacer estetico presentes en el seno de la Revolucion. Desde este lugar, el texto discute lecturas que sentencian la uniformidad ideologica y cultural de Cuba desde su ingreso a la orbita socialista, y ofrece un dialogo critico con los estudios referidos a esta tematica.El estudio se realizo desde un enfoque cualitativo y sincronico, a traves de un trabajo de documentacion que incluyo fuentes primarias y secundarias. Los debates fueron sistematizados mediante el empleo de herramientas de la critica textual, del comparatismo y de abordajes teoricos y criticos. A ello se sumo una perspectiva historico-cultural que permitio encuadrar en su especifico marco temporal las polemicas examinadas. EnglishThe present work examines the cultural debates arose in the first years of the Cuban Revolution through a critical analysis of reflections published by intellectuals integrated into that revolutionary process between 1959 and 1964. Moreover, this text establishes contact points between those studies appearing before and after the declaration of the Revolution socialist nature. Such debates allow us to learn about one of the process´ characteristics at its beginnings: the wide call of intellectuals to be joined to the cultural administration of the island, situation which provides coherence to the heterogeneity of postures towards the esthetic work present in the heart of the Revolution. From this perspective, the text discusses interpretations that affirm the cultural and ideological uniformity of Cuba from its entry into the socialist orbit, and offers a critical dialogue with studies referred to this issue.This study was performed from a qualitative and synchronic research method and through a documentation work that included primary and secondary sources. Debates were systematized by employing tools of textual criticism, of comparatism and theoretical and critical approaches. The work was also combined with a cultural and historical perspective that allowed the examined polemics to be framed in their specific temporal context.

Fomentar la herejía, combatir el dogma. Polémicas culturales en la Revolución Cubana (1959-1964)