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espanolLa poesia de Dorothy Parker emplea la parodia para detectar y denunciar prejuicios misoginos en Nueva York a principios del siglo XX. Pese a las presiones de las revistas femeninas sobre la mujer y las divertidas bromas contra su propio sexo en presunta complicidad con el patriarcado de esa epoca , Parker rie la ultima porque sus versos parodicos , que engarzan com icidad con critica social, no so lo pretenden entretener a su lector mas culino. De hecho, su poesia creo una comunidad virtual de solidaridad femenina dentro de esta urbe hostil dirigida a las mujeres de carne y hueso que no se si ntiera n identificadas con la iconografia , prescrita o proscrita , de felicidad domestica o de alegre promiscuidad. Parker ofrecio , a las secretas destinatarias de sus obras, armas de supervive ncia para que se resistiese n a los cliches femeninos que n egaban la diversidad de una poblacion femenina americana aun sometida a la autoridad masculina English: In her poe try, Dorothy Parke r uses parody as a literary device to detect and denounce gender inequalities and sexist prejudices in New York during the early twentieth century. Despite the pressures of popular magazine culture on women , and her amusing jabs at her own sex in presumed complicity with the prevailing patriarchal ideology, Parker laughs last because her parodic verses, intertwining humor and faultfinding, a re not only intended to entertain her male readers, but also to build a virtual village of female sympathy within a hostile male New York. She encourages sisterly bonding and welcome s real women, who are misrepresented by compulsory feminine images of happy domesticity or deviant sexu al availability. Her poems offer her secret female addressee s weapons of survival to live beyond their submission to male authority and repressive stereotypes of femininity

‘I hate Women. They get on my Nerves’ : Dorothy Parker’s Poetry of Female Sympathy