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espanolEl presente articulo toma las primeras obras de Gomez de la Serna desde su vocacion teorica y pretende una relectura en torno a la consideracion de la figura del autor a la luz de las nuevas teorias criticas. Partiendo de la influencia de Nietzsche, los contactos con e l p sicoanalisis y el interes por la literatura finisecular francesa , se ponen en relacion algunos presupuestos posestructuralistas con cuestiones emergentes en la literatura ramoniana: la crisis de la categoria del sujeto, la mirada del artista y la escritura textual como espacio de desplazamiento del autor. La co nstatacion de una escritura que deconstruye sus limites y borra su origen acentua hoy el alcance teorico y revolucionario de estos textos EnglishThe present work analyzes the first writings of G omez de la Serna from its theoretical vocation. Here we provide new insights on the shape of the author taking into account new critical theories. Based on Nietzsche’s influence, interactio ns with psychoa nalysis and tendencys towards fin - de - siecle french literature, we connect some poststructuralist propositions w ith risi ng issues in Ramon’s literature as the crisis of the subject, the artist’s way of looking and the textual writing as a space of author’s displacement. This study reveals a writing that deconstructs its limits and removes its origin in order to emphasize the unspectedly revolutionary and theoretical significance of these texts

Un verdugo inverosímil: desplazamiento y muerte del autor en la escritura de Gómez de la Serna