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This article explores William Trevor’s depiction of hagiography and insanity in a body of novels and short stories portraying the violent intrusions of history in the lives of ordinary individuals. It is contended that at the core of Trevor’s fiction lie traumatic experiences coming to the surface when controversial Anglo-Irish history penetrates personal identities and that, in portraying the vulnerability of such precarious human conditions, an elegiac mode emerges. On the one hand, the article illustrates how hagiography and insanity contribute to amplify and mimic the destructive effects of historical frictions. By this it is meant that the fragmented syntax, the temporal disarray and the almost mute perspective of Trevor’s elegiac characters provide instances through which public traumas are acted out into the realm of the private. On the other hand, it is claimed that the very fact of embracing the wounds is an ethical gesture reminding readers of the restorative power of hagiography and insanity. It is finally suggested that one possible function of Trevor’s elegiac temper is to raise consciousness, implying that his eccentric characters issue an invitation to take account of the sense of loss informing his œuvre, where political violence is eventually compensated.

Between Hagiography and Insanity: Refracting Political Violence in William Trevor’s Elegiac Fiction