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espanolLa presente contribucion interpreta la novela de Anne Enright, The Green Road (2015), como el relato de una familia irlandesa, que a su vez ofrece un version alternativa de la historia de Irlanda y de los irlandeses desde los anos 80 hasta principios del siglo XXI, asi como, en terminos formales, una muestra mas de como los escritores irlandeses desestabilizan las convenciones de un genero literario tradicionalmente asociado con la estabilidad britanica (Eagleton 1995), y el realismo literario del siglo XIX (Hand 2011); y, en consecuencia, recurrentemente considerado como incapaz de aprehender la compleja e inestable condicion de Irlanda. Enright va de lo particular a lo universal: el relato de la familia Madigan sirve a la autora para cubrir la historia reciente de Irlanda asi como para tratar temas relevantes en la sociedad contemporanea como la maternidad, la religion, el sexo, la vejez, la depresion, la enfermedad, el materialismo, o las migraciones. La ultima novela de la escritora es, sin duda, el texto mas osado e innovador en su ya dilatada trayectoria literaria, y debe ser interpretado como su contribucion mas destacada a un genero literario con el que los escritores irlandeses no han cesado de experimentar. EnglishThe present contribution interprets Anne Enright’s most recent novel, The Green Road (2015), as the story of two decades of an Irish family that is used by the writer to offer an alternative fictional rendering of the history of Ireland and the Irish from the 1980s till the early twenty-first century, as well as, formally speaking, a further contribution to the Irish writers’ penchant for destabilizing the conventions of a literary genre too frequently associated with British settlement and stability (Eagleton 1995) and with nineteenth-century realism (Hand 2011); and, therefore, recurrently considered as unable to apprehend the disruptive and multifaceted condition of Ireland and the Irish. Enright goes from the particular to the universal: the story of the Madigans serves to cover the recent history of Ireland as well as to deal with concerns such as motherhood, religion, sex, aging depression, illness, materialism and migrations, among others. Formally speaking, Enright’s latest novel is undoubtedly the most daring and innovative text in her already vast literary output and can and should be interpreted as the author’s most remarkable contribution to a literary genre with which Irish writers have not ceased to experiment.

A Map of Things Known and Lost in Anne Enright’s The Green Road