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This paper aims at showing in what way The Irish for No is both a testimony, a record of events as witnessed by the poet and a means of transcending a fundamentally monstrous reality through the power of words. Carson`s writing is first and foremost a writing of violence, which uncovers an uncommon reality dominated by suffering, madness or death. The normative representation gives way to a form of representation of excess, which is bound to be confronted by limitations, but which the poet-chronicler`s voice allows to reconcile by means of the metaphor.

“A Fusillade of Question Marks”: (re)presenting the present or the poet as a chronicler in The Irish for No by Ciaran Carson