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From a distance, Zumthor’s Feldkapelle at Wachendorf appears as a slab, stele or dolmen: an erect monolith of unlikely interiority.1 The object’s blurred, paradoxically diaphanous appearance derives from its being of a substance with the mud of the fields, of the same sand and gravel as its site and mixed there with white cement, sticking making to locality.2 On approach, it yields, via a pivoting triangular door, a blackened interior cast on tree trunks, open to the sky, wet underfoot, spangled with the glazed apertures of its former form-ties and reeking like a chimney of smoke. 3

Inner Poverty: A setting of Peter Zumthor’s Brother Klaus Field Chapel