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Amyas Connell (1901-80) was a New Zealand-born architect and a leading figure in British modernism. His first commission, High and Over (1929-31), for the archaeologist and classical scholar Bernard Ashmole, is among the earliest modernist houses built in England and one of the few buildings by a New Zealand architect that commands a significant place in international architectural history. This paper examines High and Over from a New Zealand perspective. Connell’s critical profile has been partially shaped by the soubriquet ‘Wild Colonial Boys’, used to frame the work of Connell and others by the English architectural historian Dennis Sharp. Such an interpretation overlooks the depth of Connell’s experience prior to High and Over and arguably overplays his antitheoretical and outsider status.

So High You Can’t Get Over It: Neo-classicism, Modernism and Colonial Practice in the Forming of a Twentieth-century Architectural Landmark