English (United Kingdom)

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The article deals with the multiple implications often observed in the films of the English film director Alfred Hitchcock. His films are always characterized by a deeper psychological and emotional meaning which reveals the hidden social or emotional contexts of the plot. These contexts can be encoded in vis­ ual scenes or film music. On the basis of the director’s films “Rear Window” (visual meaning) and “Psycho” (musical meaning), I attempt to reveal the functional elements of image viewing, music – listening and psychological/emotional meanings in the film structure. I seek to identify what kind of cinematic and musical instruments are used. Direct or indirect meanings are being created. How is the viewer affected?

Vaizdinis ir muzikinis daugiapo tekstiškumas Alfredo Hitchcocko filmuose: Langas į kiemą / Psichopatas