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This paper aims at studying the psychological makeup of Scottie’s character in Vertigo (1958), a film directed by Alfred Hitchcock and usually considered one of his masterpieces. The paper emphasizes the importance of analyzing Scottie’s character from a psychoanalytic point of view, especially the images, dreams, and schizophrenic duality of his personality. The significance of the study lies in its attempt to resolve the argument about Scottie’s story. Some critics consider this story a fictional dream that resulted from the conflict that Scottie suffered from in the past in intense psychological trauma. On the other hand, the story is a complex murder story planned by an evil character called “Gavin.”  To resolve this conflict of opinion, this paper tries to explain the complexity of Scottie’s surface and analyze it according to some psychoanalytic theories and concepts such as Freud’s theory of the Unconscious, and the idea of fantasy, and the dream work. The researchers conclude that considering Vertigo a dream is one of the ways that help to resolve the conflict about Scottie’s character and the film as a whole.

The Psychological Makeup of Scottie’s Character in Alfred Hitchcock’s Vertigo