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It has been acknowledged among translators that translating literary texts poses some difficulties. The translators have to make a decision among other choices related to diction. Not only diction, the inherent literary elements must also be rendered adequately in order to achieve “literariness”. Although the debate whether maintaining literary elements in a way that does not deviate from the source text or creating the elements anew is far from over, it is also worth noting that the essence of translation activity is not creating an original text, but it is a re-creation of meaning, a result of translators’ interpretation. Researches on literary translation are mostly about to what extent the translation is able to deliver a ‘similar’ literary value, the strategies applied by the translators, and how the target text readers respond to the ‘new creation’ of such texts. The elaboration of how the literary translation undergoes changes or shifts is not quite an issue in the field of literary translation research because it is considered ‘too linguistic’. However, in light of the Prague School tradition which examines shifts not only on surface level, but also on discourse level, the discussion on the shifts occurring in literary translation is worth

TRANSLATION SHIFTS IN GOENAWAN MOHAMAD’S POEM COLLECTION “ON GOD AND OTHER UNFINISHED THINGS” (WITH SPECIAL REFERENCE TO POEM 33)