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espanolNo han dudado en senalar los criticos literarios mas destacados en el estudio de la literatura mutante espanola la fragmentacion, la discontinuidad o la brevedad como rasgos esenciales de la escritura del siglo XXI. Pero mas alla de las propuestas neovanguardistas de Agustin Fernandez Mallo, Vicente Luis Mora, Manuel Vilas y Juan Francisco Ferre, o en su defecto al margen de la microficcion espanola y la tuiteratura, rara vez se ha explorado si fundamentos como el fragmentarismo o la hibridacion de generos son recurrentes asimismo en aquellos autores y autoras espanoles cuyas producciones, pese a ser fruto del espiritu postliterario del nuevo siglo, no acaban de encajar con los planteamientos teoricos afterpop y pangeicos. Asi pues, tomando como referente Paraiso Alto de Julio Jose Ordovas, trataremos de desmenuzar los principales rasgos postliterarios que presenta la obra del escritor aragones para aproximarnos a un concepto fragmentario y portatil de la narrativa breve en el siglo xxi, formalizado en un discurso fragmentario y discontinuo, una estructura y un desarrollo minimalista, ademas de una forma literaria que destaca por su portabilidad, al amoldarse la obra a distintos generos. EnglishThe most outstanding literary critics in the study of Spanish mutant literature have not hesitated to point out fragmentation, discontinuity or brevity as essential features of the 21st century writing. But beyond the neo-avant-garde works by Agustin Fernandez Mallo, Vicente Luis Mora, Manuel Vilas and Juan Francisco Ferre, or apart from the Spanish microfiction and the Twitterature, there have been no researches on whether poetic principles such as fragmentation or genre hybridization are also recurrent in those Spanish authors whose productions do not fit with the theoretical approaches on afterpop and pangeic literature, despite being considered post-literary works of the new century. So, taking into account Paraiso Alto by Julio Jose Ordovas as paradigm, we will try to analyse thoroughly the main post-literary features which define the Ordovas’ literary work to approach a fragmentary and portable concept of the short fiction in the 21st century, in terms of a fragmentary and discontinuous discourse, a minimalist structure and development as narrative, in addition to a literary form that stands out for its portability, by adapting itself to different genres.

La literatura interrumpida: hacia un concepto fragmentario y portátil de la narrativa breve española en el siglo XXI