English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In parallel to the avant-garde development of Western architecture in the 1920s, the architecture in Vietnam developed into the “Indochinese style”, and it became eclectic at its genesis and synthesized specific forms of the architecture of the West and Southeast Asia. In Vietnam, this style combined elements and principles of the national and, to a great extent, the French architecture. The purpose of this article is to identify development patterns, the essence and manifestation of this style in the area of Hanoi from the 1920s till the 1950s. The goal is to be achieved through examining the architecture of specific public, residential and cult and sacred objects.

Manifestation of “Indochinese style” in Hanoi’s architecture in 1920–1950s