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The end of the XIX and XX centuries, among other things in architecture, design, scenography were marked by the unique work of two great artists - F. Kizler, born September 22, 1890 in Chernivtsi and E. Lysyk, born September 21, 1930 in the village. Cords near Brody. Their birth, life, creative heritage showed and proved that the era of the Great Artists of the universal type, who synthesized architects, painters, sculptors, decorators, the leader among whom was KF Schinkel, did not end there. Both Kizler and Lysyk showed that such creativity not only did not end, but thanks to their activity was reborn, developed and acquired their personal features. Starting his artistic career in theater with spiral, spatial, collapsible stages, "infinite" and "boundless" spherical theaters, F. Kizler designed and implemented a number of scenographic solutions for Karel Chapek's "Ruhr", "In the Garden in the Pasture" in M opera, New York, "No Way Out", "Soldier's Story", in which he used mechanical devices for scenographic solutions, elevators in the stage space, the idea of ​​"plasticization", fountains. Later, F. Kizler put forward the idea of ​​a theater-complex, which in addition to halls and stages, should be cinemas, television studios, radio stations, publishing houses, recording studios, exhibition spaces.

COMPARISON OF CREATIVITY OF THE WORLD FAMOUS ARCHITECT AND SCENOGRAPHIST F. KIESLER AND SCENOGRAPHIST AND ARCHITECT E. LYSYK