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This paper tackles the tautological nature which is hegemonic in contemporary artistic creation. In order to analyse this dynamic, the A. deems it appropriate to examine the sociological approximations of Pierre Bourdieu and Raymonde Moulin, and the philosophical perspective of Anne Cauquelin. The network, loop-effect and artistic-field concepts should be developed in order to apply the in the field of contemporary art and to describe in a more complex manner the mediations which come into play when appraising them. In this respect, the sociology of art faces the thought-provoking challenge of developing a research programme in a dialogue with other scientific disciplines

Redes, campos y mediaciones: Una aproximación sociológica al arte contemporáneo