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This paper analyzes why Suicide is today a model of research report, one hundred years after being first published. In doing so, it relies on the writing of this monograph that is considered as a writing that founds the modernity in Sociology. Before, it has been brought into relief the linguistic nature of the Durkyeim's project. However links between this characteristic of the durkheimian project and the total project no have been established. This work has mainly followed the original Bruno Latour analysis about modernity. Latour describes modernity as the constituting of the difference between nature and culture. Translation and purification are the two fundamental practices for building that difference. After revising two kinds of earliers sociological writings -Engels and Le Play- it is described how Suicide applies translation and purification.

Cien años después: los rasgos de modernidad de El Suicidio