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tory. While ancient Greece provides the foundation of the monumental classical tradition of the West, Turkey's Ottoman empire is relegated to a marginalized position having no impact on the West. This fact is most apparent in Sir Banister Fletcher's A History of Architecture on the Comparative Method for the Student, Craftsman and Amateur, the earliest survey of architecture that included regions outside the West.1 Fletcher's famous frontispiece, Tree of Architecture, has a solid upright trunk that is inscribed with the names of European styles. Greek architecture appears first on the trunk. Non-Western styles-Persian, Mexican, Egyptian, Assyrian, Indian, Chinese, and Japanese styles-branch out from the trunk and do not grow beyond the seventh-century mark. Ottoman architecture does not even appear on Fletcher's diagram. Despite their different historical impacts on the canon, Turkey and Greece shared a history under the Ottoman empire for three centuries until 1833, when Greece became an independent nation state. Interestingly, the Greek lands lost their privileged rank in the historiography of Ottoman architecture, which is centered on the monuments of the capital city of Istanbul.2 To my knowledge, the first survey of world architecture that includes a significant section on Ottoman architecture is Spiro Kostof's A History of Architecture: Settings and Rituals, which provides a comparative perspective on Venice and Istanbul.3 The postindependence architectures of Turkey and Greece, by contrast, have never been included in the grand narrative of architectural history. Even as separate fields of specialization, they have attracted attention outside their native borders only

Teaching Architectural History in Turkey and Greece: The Burden of the Mosque and the Temple