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Mirel the disconsolate and destructive, willful and independent, is a bold divergence from the Yiddish literature of the time. True, Tevye's daughters were as determined and individualistic as Mirel, and more constructively so. It is precisely this sympathetic presentation of her single-minded aestheticism, untempered by charity and reverence for life, which makes her quite unique and which must have prompted some critics, such as Samuel Niger, to call the novel not really "Jewish." (See Martin's "Introduction," p. xviii and footnote 4.)

Woman's Fiction: A Guide to Novels by and about Women in America, 1820-1870