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In three of her tales-"El encaje roto" (1897), "Champagne" (1898), and "La boda" (1909), Pardo Bazain presents her readers with a bride on her wedding day; in each case, and each in her own way, the bride breaks with convention and time-honored tradition on this most anticipated day of her life, only to see her life irrevocably altered-not by the marriage-but by her own actions and decisions. The juxtaposition of these three tales with a fourth later one, "La punta del cigarro" (1914), the story of a man in search of a wife wherein a male narrator delineates nineteenth-century society's requirements for the ideal wife, illustrates Dofia Emilia's astute subversion of the traditional feminine ideal and her empowerment of female protagonists.

Torn Lace and Other Transformations: Rewriting the Bride's Script in Selected Stories by Emilia Pardo Bazán