English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Zendy Plus

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Zendy Tools

Zendy Open

Richard Krautheimer's grand synthesis of the history of art, architecture, and politics in medieval Rome has inspired a generation of subsequent publications, including revisionist ones. Focusing on the twelfth century, this essay rereads Krautheimer against a semiotic paradigm proposed by Marvin Trachtenberg and an alternative version of the history offered by Peter Cornelius Claussen, supplementing both with socio-historical, archaeological, and art historical research of the last twenty-five years. The result is a more reception-oriented history that highlights social and political diversity within Rome and possible misreadings of the intended messages of the familiar churches built between 1100 and 1143: San Clemente, Santa Maria in Cosmedin, San Crisogono, and Santa Maria in Trastevere. Archaeological discoveries like those in the Crypta Balbi also illuminate the revalorization of ancient ruins found in such texts as Hildebert of Lavardin's "Par tibi, Roma, nihil" and the Mirabilia urbis Romae.

Rome in the Twelfth Century: Urbs fracta and renovatio