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In the drama John Gabriel Borkman Ibsen attributes great importance to   sounds. The contrast between presence and absence of sounds, other sound   effects and especially the Danse Macabre played on the piano emphasize the   drama’s eerie atmosphere. Danse Macabre can be also seen as the drama’s key   metaphor, and it connects the first and the second acts and creates unity of   time and action. The allegorical meanings of this composition can serve as a   paradigm in the interpretation of each character, their relations, and the   whole dramatic action even. The focus of this work is on the auditory layer   of the drama, emphasizing the important function of the auditory included in   a dramatic work

Ibsen’s Danse Macabre: The importance of auditory elements in Henrik Ibsen’s drama John Gabriel Borkman