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Romanian cantors, clergymen and musicologists debated the problem of a  national church chant from the late 19th century onwards. Amongst other  things, they tried to define the specific traits of Romanian chant, to place  these traits in opposition with Turkish and Oriental ones, and to show that  traits of Romanian chant bore witness to a European and not an Oriental  identity. This paper discusses various views on the traits of Romanian chant  and the composing techniques of the “Romanianization” of Greek pieces, and  points to the connections between these traits and national myths and symbols  shared by Romanians

Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant