English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children's musical worlds. This is borne out of my research concerning children's practice and performance of dance, music and song in South-central Bali. The principle aim of my research was to examine the role of music and dance in the everyday lives of Balinese children. This was achieved through an investigation of children's learning and performance of ceremonial and secular traditional dance forms, children's songs and games, and children's disco dance performances. Taking Corsaro's (1985) 'reactive approach', which is responding to or following the children's wishes as my key fieldwork strategy, I show how I developed a basic practical knowledge of Balinese dance and children's songs. This knowledge then made it easier for me to communicate with children and for them to invite me to participate in their music, dance and play activities. I demonstrate that such occasions were beneficial to my research work, because in allowing me to gain insights into their learning of traditional dance and to learn about their songs and games, my potential child-informants also had an opportunity to discover who I was and why I wanted to learn from them.

How dancing, singing and playing shape the ethnographer: research with children in a Balinese dance studio