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In order to make Sorelle Mai (2010), Marco Bellocchio decided to put together both a practical necessity and an affective operation: he used his family and birthplace as raw material for his lessons at Laboratorio Fare Cinema and at the same time he created a record of his family in film. By doing so, he offered something more than the usual real-fiction discussion: the film proposes a strong reflection on cinema and life through an indirect personal writing.

IRMÃS JAMAIS: FICÇÃO DE SI ENTRE TERNURA E AMARGURA