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This paper aims to bring to light a critical approach about the process of artistic creation and the relationship that the writer Cecília Meireles establishes with her own work. In other words, this paper intends to verify how a certain book is left aside by the writer along reissues and publications of his or her poetic production. Espectros, the first book of poems by Cecília Meireles published in 1919 is highlighted here. The poems were not reprinted during Cecília Meireles’ life, but only after her death in the 2001, when the centenary of her birth was celebrated. Exactly 100 years ago the writer made her debut in literature with this collection of sonnets, but she decided not to publish them in her 1958 edition Obra Poética (Poetic Work). Considering this year as the centenary of the author's debut in the world of letters, our reflection will discuss the poet's creative process as well as the critic’s and the reader’s role, based on the 1958 edition of Obra Poética.

CECÍLIA MEIRELES: O LIVRO E A PALAVRA INVÍSIVEL