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One or more dancers in traditional Samoan dress are located on raised platforms; in a darkened adjacent area there is a row of slot machines. The performers, and slot machines, are static unless a viewer interacts with them. In the case of the machines, placing 20 cents in the slot activates a short film loop, featuring one of the performers doing a particular Samoan dance. Similarly, each live performer has a bowl at his or her feet. When a viewer drops money into the bowl, the dancer delivers a short rendering—about 45 seconds—of a dance, each one performing a different traditional form. This is Culture for Sale, a video, installation and performance work, first staged in its full realisation at the Campbelltown Arts Centre for the Sydney Festival in 2012.1 It was part of the New Zealand Arts Festival in February 2014 at City Gallery, Wellington, New Zealand, and also featured at Rautenstrauch Joest Museum, Cologne, in January of the same year. Culture for Sale has been explicitly connected by artist Yuki Kihara to the German administration of Samoa and the ‘exotic’ entertainments provided by

Yuki Kihara’s Culture for Sale and the History of Pacific Cultural Performance