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The documentation of music and dance and the interpretation of such documentation are key elements in ethnomusicological research. In addition to doing one’s own research, an ethnomusicologist is expected to be familiar with the relevant work of others in the same region or field of study. For music and dance researchers, such knowledge applies equally to photographs and audiovisual recordings, as well as more traditionally accepted published and unpublished textual sources.

‘Never Seen It Before’: The Earliest Reports and Resulting Confusion about the Hagen Courting Dance