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The comments at the beginning of this essay from a curator and an artist always resonated for the Asialink Arts program. They relate to the crucial role of personal experience in a different culture, and how creative people respond to this. Opening up opportunities for Australian creative people in Asia and supporting their experience was the most important role of the arts program at Asialink over the period of this essay, 1990–2010.1 The program provided access to the variety and richness of the contemporary cultures of Asia by establishing links which artists and others could utilise and build on. It was based on the idea that artists need just a little help to take their creativity, passion and determination into new worlds, as well as on the concept of trusting them to be mature partners in this endeavour, with few checks and balances and, in reality, minimal support. This mission and focus remained consistent over time. It is remarkable, reading back over the Asialink files, how little the intention, structure and even the words changed over the period: providing opportunities, giving access, providing support and encouragement, leading to the creation of new works of meaning to the artists themselves and to their new audiences in the region.2

People and Partnership: An Australian Model for International Arts Exchanges — The Asialink Arts Program, 1990–2010