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With the substantial body of work which has been produced by artists all over the world from many artistic disciplines, critics are now in a good position to examine exactly what the artist’s relationship is with Antarctica, both from the artists’ own words and the work they have produced. Bringing the world to the continent is certainly a literal reality for those who travel to Antarctica, but the converse is also true, as each artist brings the continent back to the world. It may also be true that Antarctica is the ultimate silence, a blank canvas upon which each artist can project their own imagination. Interpreted differently, it may be the ultimate silence because of the unique challenges it offers, what Pyne describes as ‘an esthetic sink, not an inspiration. Its landscape erased those elements which provided worlds accessible, and its fantastic isolation seemingly defied any but self-referential attempts to assimilate it’.3

Kiwis on ice: Defining the ways in which the New Zealand identity is reflected in the Antarctic-inspired works of four New Zealand composers