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Resumo: A politica sanitaria de isolamento compulsorio adotada nos anos 1920 para controle da hanseniase (“lepra”), foi mote da tese de Daniele Bezerra. A pesquisa nos arquivos do Hospital-Colonia Itapua (Viamao/RS), seguida de observacao flutuante e registro fotografico nas ruinas daquela microcidade, com atencao as narrativas verbo-visuais de seus poucos habitantes, converteu aquelas memorias dificeis em “monumentos-refratarios” (Bezerra, 2019). Considerando a dimensao coletiva do cemiterio, propomos uma narrativa visual das fotografias tumulares, que inscrevem esses vestigios como fantasmagorias e redobram a invisibilizacao de presencas socialmente indesejaveis. O simbolismo da lapide como lugar de memoria (Nora, 1981) permite propor uma epistemologia daquelas “imagens orfas” (Bruno, 2018), que resistem e “interrogam nosso tempo presente” (Samain, 2012). Considerando a nocao de pessoa (Mauss, 2011) que subjaz a mascara mortuaria, e a fotografia como “aparecimento de uma distância” (Benjamin, 1989) e como “ressurreicao” (Barthes, 2010), compartilhamos da preocupacao de Didi-Huberman (2013) sobre o risco de musealizacao do passado na forma de domesticacao da violencia institucional. Palavras-chave: Narrativas verbo-visuais. Memoria e esquecimento. Politicas sanitarias e invisibilidade. TUMULAR PHOTOGRAPHIES IN AN OLD COLONY OF SANITARY ISOLATION: SURVIVALS OF A DISAPPEARING PAST Abstract:  The health policy of compulsory isolation adopted in the 1920s for leprosy control was the motto of Daniele Bezerra's thesis, co-author of this article. Research in the archives of the Hospital-Colonia Itapua (Viamao/RS), followed by floating observation and photographic recording in the ruins of that microcity, with attention to the verb-visual narratives of its few inhabitants, converted those difficult memories into "refratting -monuments" (Bezerra, 2019). Considering the collective dimension of the cemetery, we propose a visual narrative of the tomb photographs, which inscribe these vestiges as phantasmagoria and redouble the invisibilization of socially undesirable presences. The symbolism of the gravestone as a place of memory (Nora, 1981) allows us to propose an epistemology of those "orphan images" (Bruno, 2018) that resist and "question our present time" (Samain, 2012). Considering the notion of the person (Mauss, 2011) that underlies the mortuary mask, and photography as "the appearance of a distance" (Benjamin, 1989) and as "resurrection" (Barthes, 2010), we share Didi-Huberman's (2013) concern about the risk of musealization of the past in the form of domestication of institutional violence. Keywords: Verb-visual narratives. Memory and oblivion; Health policies and invisibility.

Fotografias Tumulares em uma Antiga Colônia de Isolamento Sanitário: Sobrevivências de um passado em desaparecimento