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This essay focuses on the construction of the sound image from the methodology developed in Bank of Images and Visual Effects – PPGAS/UFRGS, Brazil. We reflect on how is the relationship between this methodology and interpretations of the phenomenon studied by recording sound, considering that one of the stages of this process refers to the imagination of this capture and the ways to do it, based on ethnographic research we have produced. The ethnographer imagine the sound of the city and how to register them, because the choices of recording – expressed by scripts of sound recording, scripts of fieldwork and the choices of listening points – are ways of interpreting the phenomenon. Through ethnography sound, we walked along the paths of the city attentive to the gestures and scenes of urban life in relation to sounds, as ambiences, fleeting conversations, cars engines, is in this position that we propose a dialogue.

Etnografia sonora na cidade: algumas contribuições metodológicas acerca do registro sonoro na pesquisa de campo