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The purpose of this article is to present part of field research on the ethnic affirmation process of the Tapuias-Kariris from Sao Benedito ─ an indigenous collective community in Ceara/Brazil. The analysis results from an ethnography among Tapuias and observations conducted with others indigenous communities from Ceara. The Tapuias-Kariris are the latest group to self declare themselves as indigenous. In the process of self-affirmation and recognition, the first challenge faced by the group is the social refusal to recognize them as indigenous. Faced with this rejection, the group is constantly negotiating and affirming their identity. This process is performed through the reworking of the images, the material culture and cultural practices, collective elements that are now designed by the prism of ethnic belonging. Material culture and the set of practices and knowledge incorporated have a central role in the daily life of these indigenous groups. Arising from ancestral knowledge, the objects, as well as dances, songs and rituals, narrate the life and cosmological conception in a particular way. Analyzing the process of affirmation, its inherent difficultie,s as well as the role of cultural events and images, is the objective of this work.

AGOUROS DE UM ESPELHO PARTIDO: LUTA E RESISTÊNCIA NO PROCESSO DE AFIRMAÇÃO ÉTNICA DOS ÍNDIOS DO NORDESTE – O CASO DOS TAPUIAS–KARIRIS DE SÃO BENEDITO