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Este ensaio tem a proposta de dar continuidade na crescente discussao sobre as masculinidades negras, reconhecendo que estas sao subjugadas como inferiores, devido as raizes coloniais racistas que criam relacoes assimetricas de poder, cria-se uma masculinidade hegemonica patriarcal do homem branco, hetero e cristao. Esta violencia colonial aprisiona ate os dias de hoje as subjetividades e as representacoes do homem negro. O cinema como artefato reprodutor da realidade acaba a dar sequencia a estes historicos estereotipos. Porem, existe na atualidade uma emergente criacao cinematografica que busca outras representacoes esteticas para os corpos e mentes negras. A partir destes filmes pensamos em possibilidades pedagogicas que descolonizem as mentes e ressignifiquem as masculinidades negras. This text has the proposal to continue the growing discussion about black masculinities, recognizing that those are subjugated as inferior because of the racist colonial roots that create asymmetrical relations of power creating the patriarchal hegemonic masculinity of the white, straight and Christian man. This colonial violence imprisons until the present day the subjectivities and representations of the black man. Cinema as a reproductive artifact of reality ends up following these historical stereotypes. However, nowadays there is an emerging cinematic creation that seeks other aesthetic representations for black bodies and minds. From these films we think of pedagogical possibilities that decolonize the minds and resignify the black masculinities.

aleph

MASCULINIDADES NEGRAS EM MOVIMENTO – O CINEMA NEGRO COMO PRÁTICA DECOLONIAL NA EDUCAÇÃO BLACK MASCULINITY IN MOVEMENT –THE BLACK CINEMA AS A DECOLONIAL PRACTICE IN EDUCATION