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By closing The Waves (1931) with Bernard’s extended monologue after presenting a narrative absolutely fragmented by the six voices that pass along with her symbolic day, Virginia Woolf opens us to a new possibility of reading her masterpiece: that of understanding her entire narrative as sustained by its last section and its central character. This essay proposes a backwards reading of Woolf's novel, from the time of the instant (present) to recollected time (past), a reading in accordance with Bernard as the binding thread of her narrative. To do this, we draw a parallel with what Woolf coined as her philosophy in Moments of Being (1941, 1971), her theory about moments of being and of non-being, and the time of the instant, which compresses both past and future into images according to St Augustine in his Confessions . Bernard seems to present us with the waves that come to us from ourselves, our memories and desires, in a movement of inevitable break that begets the human.

AS ONDAS QUEBRAM EM BERNARD: POR UMA NOVA LEITURA DE ‘THE WAVES’