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This essay aims at investigating the matter of language and art in Virginia Woolf ’s To the Lighthouse , highlighting movements of proximity and distance, as well as those of solitude and intimacy, that point to the permeability of life. With the purpose of analyzing women’s relations within the novel, the paper seeks to reflect upon the notion of precariousness elaborated by Judith Butler ( Frames of War ) in dialogue with Woolf ’s A Room of One’s Own .

A linha que atravessa o quadro: da solidão à intimidade em “To the lighthouse’