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Movies are cultural artifacts created by specific cultures, which reflect those cultures, articulate social consciousness and in turn affect them (Ogunleye, 2014; Ugbam et al., 2014; Crane, 2014). However, African films remain “foreigners in their own countries” where the makers of popular movies have never been principally concerned with authenticity, cultural revival, or cultural preservation (Garritano, 2008). Implicit of these phenomena is for African filmmakers to intensify efforts in exploiting their own cultural resources, rather than importing the “valueless” aspects of some “foreign” cultures. As argued by Ugbam et al. (2014), “to lose one's culture is tantamount to losing one's identity” and “a society cut off from its roots may thrive for a while on its own momentum but eventually it will wither like flowers cut in a vase” (Ugbam et al., 2014).

Aberration of Cultures: A Study of Distortion of Akan Cultures in Kumawood Movies in Ghana